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The Weekender: Marlborough Gallery — Le Cabinet de Curiosités

On November 12, my friend and I attended a VIP Preview of Le Cabinet de Curiosités in Tribeca. The swanky celebration was a combined effort between the Marlborough and Steinitz galleries. It was a rare occasion, to say the least. It’s not often that you’ll see a map table from Napoleon Bonaparte coupled with a mechanical insects collection (with metal bodies covered with the patina of a forgone age), and Manolo Valdés’ sculptures.But somehow the installation, under the supervision of renowned interior designer and architect, Thierry W Despond, came together beautifully.
Porto Ferreira Thierry W Despont

18th Century paneled rooms from the Steinitz Collection were flown over from France to accompany pieces of furniture and objects such as Renaissance bull’s head, 17th Century Japanese lacquered trunk, as well as art works from his artist friends, Manolo Valdez and Claudio Bravo. When I entered the first of these three rooms, I was quite taken by Claudio’s “tied papers” and “bookcases” which from afar looked real, but in reality was nothing more than segments of blank, raw, exotic woods, coyly implementing trompe l’oeil to comment on the use of books as fetish objects of aesthetic pleasure. This is a thought-provoking, and irresistible exhibition that is not to be missed.
Le Cabinet de Curiosités
November 15, 2011 – January 31, 2012
New York Mercantile Exchange
6 Harrison Street
New York City

Insects Collection from Thierry W Despond
 
right: Princess Firyal of Jordan
 Manolo Valdes Sculpture, Mariposas doradas II

“For many years I have been consumed by the idea of creating a natural history museum of my artistic universe… dedicated to the accumulation of imaginary planets and their inhabitants, paintings, sculptures… brought back from my artistic Beagle journey.”
   Thierry W Despont

Ondine de Rothschild
Prosper and Martine Assouline
Claudio Bravo Aluminums, Aluminios
photo courtesy of Malborough Gallery
Thierry W Despont’s Sculture
photos courtesy of Billy Farrell

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