In celebration of our 2nd year anniversary, I’ve chosen Design as the main theme for the week. After all, what will a great interior be without great designs? By design, I mean strictly the decorative arts. The design world has long held much interest for me. I find it alluring, and when a client express a keen interest in acquiring an outstanding piece from the applied arts, I work hard on researching and pursuing the very best for their collection. New York City is a haven for this type of art. While I was compiling the list of dealers for this post, I thought of all the outstanding galleries in this town, some of them have been in business for more than 40 years, others just arrived on the scene. It’s impossible to name them all, so I’ve chosen a few favorites. Some I’ve worked with, and others who remain constantly on my radar. Above image from Anthony DeLorenzo
DeLorenzo has been coined undoubtedly “one of The best Art Deco dealers in the world”. His inventory includes designs masters such as: Emile-Jacques Ruhlmann, Andre Groult, Eileen Gray, Eugene Printz.
“In America, design has never really been an important subject.
In Europe, it is part of everyday life.”
Zesty Meyers and Evan Snyderman, R 20th Century Design
The design duo, Zesty Meyers and Evan Snyderman have made R20th Century one of the most distinguished galleries in the city, if not the entire world. They are best known for curating shows of Poul Kjaerholm, Joaquim Tenreiro and vintage Wendell Castel.
Barry Friedman is the proud owner of Friedman Benda. Located in Chelsea, the gallery specializes in some amazing cutting-edge art. He’s also the co-founder of Friedman & Vallois, and sole proprietor of Barry Friedman Ltd, which specializes in painting, works on paper and photography as well as design.
Maison Gerard offers an outstandingly beautiful mixture of fine French art deco, and contemporary design. The gallery has “helped form the collection of Walter Chrysler Jr., now in the Chrysler Museum of Norfolk, VA., assembled the Design Collection of the Utsonomia Museum in Japan; and built numerous private collections.” Founders Gerard Widdershoven and co-owner Benoist F. Drut specialize in Jules Leleu, Jacques Adnet, Jean Girel, Marc Bankowsky, Thomas Boog, Nicholas Howey, Claude Lalanne, Matthew Solomon, Hervé Van der Straeten, and others.
In the heart of the gallery district in Chelsea, Suzanne Demisch is celebrated as a leading specialist in European designs of the 1970s, Maria Pergay, Pierre Paulin, Stefan Zwicky, Joseph-Andre Motte.
Reading Rooms: A group show curated by Matthew Weinstein
Sebastian & Barquet: February 28– April 5
Reading Rooms is a group show of authors and designers curated by artist Matthew Weinstein. Weinstein will arrange seven reading areas in a large open space, using Sebastian + Barquet’s extensive archive of modern, postmodern and contemporary furniture. Each area will consist of a seat and a lamp; maybe a side table, a rug or an object will further define the arrangement. Each of these arrangements has been inspired by a novel chosen by Weinstein, and these novels will be available for people to read. For the duration of the exhibition, anybody can come in and read, for as long as they like. They will either be attracted by the novel or by the seating area when they make their choice of where to sit. In the open space, readers can watch each other read or viewers can watch people reading. A silent performance will take place every day in Reading Rooms, based on who is in there and what they are doing.
Sebastian + Barquet is pleased to present Reading Rooms, a group show curated by Matthew Weinstein with selected works by Geoffrey Bradfield, Wendell Castle, Joe Colombo, Pedro Friedeberg, Graham Greene, Arturo Gomez Guerra, Johanna Grawunder, Anna Kavan, Aranda & Lasch, Peter Macapia, Carlo Molino, Ico Parisi, Charlotte Perriand, Phillip Lloyd Powell, Alain Robbe-Grillet, Krueck & Sexton, Georges Simenon, Muriel Spark, Andrzej Stasiuk, Lynne Tillman, and Mae West.
As the physical object of the novel dissolves into pure information, it’s relationship to artistic issues of physicality and visual imagery becomes more and more tenuous. The look of book covers that we remember from our formative years of reading, the smell of certain books, the size of them and the typeface that we are given (as opposed to the ones we can choose on a digital reading device) are all dying properties. But the body must rest someplace while the mind reads. Where we read, what we recline or sit on while we read, the light that illuminates the space around us while we read and the rug or floor beneath our feet while we read are enduring physical factors that define our experience of reading. If you read Moby Dick on an iPhone over the course of a year of subway commutes, your experience of it will be very different from your experience of it if you read a chapter a night before going to sleep in your own bed.
We are often alone while we read, but often we are in bed with a partner, on the subway, in an airplane or in a coffee shop. Reading is a way of establishing one’s privacy while one is in public. Pretending to read is a classic way of avoiding talking to someone, or of spying on someone. This exhibition is about public and private space as people can elect to be reader or viewer. The envelope of space around the reader becomes a kind of sculpture; a thing we know we are not supposed to approach too closely or pass through.
Reading Rooms also considers the challenge that reading poses in a fast paced culture. It is a challenge to break from one’s day and sit down and read for half an hour. Reading is a way of claiming time as well as space and privacy. It is becoming, more and more, a personal rebellion against the social demand that we pack more and more activities into the non-expansive space of one hour.
TRAVAIL MODERNISTE. Paire de fauteuils à structure en métal tubulaire. Dossiers incurvés à côtés ajourés, assises écusson sur base trapézoïdale
In my view, there’s just too few art deco sales on the auction block this year. The big auction houses in NY will hold theirs presumably at the end of 2013. So I’m always on the hunt for some great pieces that will hold a sufficient amount of appeal, and add some real value to my clients’ collections. Over the pond, one of my favorite auction houses, Drouot, is holding a Sunday afternoon sale in Brussels. These 2 pieces that you’re seeing at the top, are among 15 of my TOP PICKS from their impressive collection.
Pierre CHAREAU (Attribué à) Lampadaire en chêne patiné acajou, à hauteurs variables. Fût à double jambage dont un à crémaillère permettant les différentes évolutions. A partie haute trois lames plates coudées enserrant des plaques (postérieures) en albâtre formant un éventail lumineux. Base quadrangulaire à doucine. Right: Miroir Infinitly Grand miroir en verre fumé sans teint, cadre en laiton à l’intérieur duquel se reflètent des diodes pour donner une impression de profondeur infinie
Art Deco Sale in Brussels on Sunday, March 3rd, 2013
Drouot Grand Sablon Forum in Brussels
Left: TRAVAIL DES ANNÉES 1960. Lampe en métal nickelé à abat-jour circulaire légèrement bombé, cache ampoule cornet traversé par un tube fixé sur la base. Right: ÉCOLE FRANÇAISE début XXe Portrait de Femme Huile sur toile Signé”Martin” et daté
Aimé HENRY DE FIGANIERES (1909-?). “Cache cache”, 1973 Huile sur toile 65 x 50 cm Signé et daté en bas à droite
Claude CUNDA (Ne en 1915)
“Composition abstraite”, 1974 Huile sur toile 116 x 89 cm Signé en bas à droite et daté “1974”
Left: Travail des années 1940. Chaise de boudoir recouverte de tissu moiré passepoilé à dossier coquille animé de cordelettes dorées et orné en partie arrière basse d’une coquille laquée. JACQUES ADNET (1900-1984). Guéridon en placage de palissandre à deux plateaux soutenus et joints par deux montants pleins galbés.
JACQUES ADNET (1900-1984)
Important guéridon à base en bois verni noir. Fût cylindrique recouvert de plaques de miroirs juxtaposés. Plateau circulaire débordant à fond miroir orné au centre d’une ronde de lunules et cerclé d’une lame en médal chromé
Paul KISS (1885-1962)
Spectaculaire paravent à quatre vantaux en fer forgé. Structure à lames plates de section carrée à parties hautes galbées. Décor ajouré de gerbes de fleurs stylisées à enroulements ouverts et coudés. Du réceptacle à la base les lames parallèles ondulent
Travail Art Déco Deux tables gigognes en bois laqué de forme U inversé à décor de coquille d’oeuf sur la table supérieure, d’une bande asymétrique sur la table supérieure et d’une fleur stylisée sur chaque montant plein.
Corradini Argenteria (Bologne)
Vase en cuivre martelé de style art déco figurant l’allégorie des beaux-arts. Cachet de la manufacture
Nikki de St Phalle (1930-2002) “Nana”, 1968 Plastique polychrome, édition Alvimar Signé et marques de l’éditeur.
Xavier PUIGMARTI (né en 1952)
“Milo II”, 1990 Technique mixte sur toile 162 x 130 cm Signé et daté au dos
Rose Hartman, celebrity photographer of Incomparable Women of Style and Pamela Hill of Hill Gallery (Birmingham, Michigan) at the Metro Show opening night accompanied by a life-size sculpture of a amiable man dressed in 18th-century fashion carved from Southern pine, Early 19th Century,
From 18th century textiles from Asia, folk art from the Americas, Jule Leleu’s arm chairs from France, to art deco tea service by Brüder Frank from Maison Gerard, the major antique art shows opened with a brilliant and optimistic note last month starting with the opening night at the Metropolitan Pavilion in Chelsea, home to the 2nd Annual Metro Show.
A SOIRÉE AT THE METRO SHOW Editor’s Top Picks
Lillian Nassau LLC (New York): Tiffany Studio art glass, early 20th Century
* Mahogany and gilt bronze sabots, numbered on right back leg, France c. 1935
* Pair of Fine Ceramic vases by Primavera. Signed on base: Primavera France, impressed with hatchet mark for Sainte-Radegonde. Atelier of Les Grands Magasins du Printemps (founded in 1912)
* Fine rare extension and adjustable center table/coffee table “guéridon elevator” by Jules Leleu. France, c. 1955. *Wallpaper, Incas. Wood-block printed by Dufour in 1818, after Jean-Francois Marmontel. One scene from the panoramique “Incas”: pizaro disembarking with his companions in Peru. Rare panel: in pristine condition and colors, never hung. Wood-block printed by Dufour in 1818, after Jean-Francois Marmontel. * Wallpaper, “Les Chasses de Compiègne” (Stag Hunt at the Chateau de Compiègne): Quarry Scene ( La Curée). This is the only scenic panoramique designed by the painter Carle Vernet who specialized in hunt and horse scenes. The panels were wood-block printed by Jacquemard & Bénard, successor of Reveillon. Provenance:
Jean Zuber private collection.
Black Wings is a hand knotted carpet, made at the Wilton Royal workshops, England,
Silver-gilt cutlery comprising: “Cuillère artichaut”, artichoke spoon with snail shell, painted and lacquered artichoke bowl. “Fourchette- é l é phant 3 dents”, fork with three teeth and elephant head, the eyes set with rubies. “Couteau escargot aux larmes”, snail knife with tear-shaped pendants., Didier Ltd
Barovier Intarsio Vase designed by Orcole Barovier 1961
Venini Mosaico Zanfirico Vase, designed by Paolo Venini, c. 1954, Acid signed “Venini Murano Italia” to base, *Three Venini Incamiciato Vases designed by Paolo Venini, 1950, Acid signed “Venini Murano Italia” to base * Salviati Fascia Murrine Vase designed by Luciano Gaspari, 1964, Inscribed signature “Salviati Murano” to base * Venini Fasce Verticale Vase designed by Fulvio Bianconi, c. 1952, Acid signed “Venini Murano Italia” to base * Venini Tessuto Vase designed by Barlo Scarpa, 1940 Acid signed “Venini Murano Italia” to bas * Venini Battulo Vase designed by Carlo Scarpa, c. 1940 Acid signed “Venini Murano Ars” to base * Venini Occhi Vase designed by Tobia Scarpa, 1962, Acid signed “Venini Italy Murano” (Circular) to base * Venini Mezz-Filligrana Decanter, c. 1956, Acid signed “Venini Murano Italia” to base * Venini Mezza-Filigrana Bird designed by Tomaso Buzzi, 1932, Acid signed “Venini Murano Ars” to base * Venini Incamiciato Vase designed by Tomaso Buzzi, c. 1933, Acid signed “Venini Murano” to base * Venini Mezza-Filigrana Bird designed by Tomaso Buzzi, 1932, Acid signed “Venini Murano Ars” to base
Fine & Rare Art Deco Silver six-piece Tea Service by Brüder Frank, Vienna, Austria, circa 1920 from Maison Gerard
Serge Manzon, White lacquered bibliothèque with three stained oak shelves, c.1970, Magen H Gallery
Wingback Lounge Chair, Unknown, Denmark, c. 1951, Wool and Teak, Lost City Arts
The decisive leadership that made Lincoln great
He overrules his military commander to protect Washington Autograph Letter Signed. May 21, 1862, The Kenneth Rendell Gallery
Photo credit and story by Laurence Fayard
William Helburn Washington Square Arch, 1950 Gelatin Silver Print
William Helburn Red Canoe, 1959 Archival Pigment Print
Audrey Hepburn tops our Number 10 List this year as the most popular post. No surprise there. She was the face of grace and elegance, and everything stylish. And eventhough she exited the world’s stage in 1993, she remains an inspiration and role model for millions of women all over the world.
Other memorable stories were my Q&A with furniture designer John Lyle, my series on the awesome works of Fernand Léger, The Kips Bay Decoration Showhouse, and more.
What strikes me the most about Twiggy is that she has remained strong and confident throughout her career, and her popularity hasn’t waned as seasons passed. This is quite a feat considering that most models and actors usually do not experience this outcome.
No. 3
A pretty pair of pink wing chairs from Leah Antiques, as well as painting of Joan Collins from the early 1960’s take center stage in this exceedingly lively room.
No wonder Joan Collins chose John Lyle to design her New York City apartment, as she got ready to sell it through Core Real Estate. He is so intuitive, plus it doesn’t hurt to have a marvelous eye for great design.
Fernand Léger’s work in the 1920s made his international reputation. They combined that certain quality of surrealism and the strong characteristic of the plain forms which he came to be known for.
As an architect, Eileen Gray designed and furnished herself a new home, Tempe à Pailla, outside Menton, France. That building is an icon of Modernist architecture, and the design was an awesome example of form meets function.
No. 6
Composition, 1940 – 1942, oil on canvas – Fernand Léger
With all the glory that later came as being a blue chip artist, Fernand Léger’s career spaned from early investigations of painting as a means of capturing modern sensations in abstract and near abstract dynamic compositions to heroic images of common life.
Most Americans would agree that the kitchen is one of the most important room in a house, and should be treated as such. And de Giulio is happy to prove that point by providing them with some of the most inspiring kitchens to “live with”.
A global group of esteemed guests both from the US and France, gathered at the French Consulate in March 2012 to celebrate the official announcement of the Biennale des Antiquaires which took place on September 14 through the 23rd.
The Steven Greenberg collection of Art Deco art, furniture, and accessories represents the magnificence of a time relived through the eyes of this special collector. Capturing the Art Deco zeitgeist through selective acquisition, with an acute eye towards exquisite beauty, Greenberg amassed works by Dupas, Dunand, and Ruhlmann.
As Kathryn Hausman, president of the Art Deco Society of New York, who was both a close personal and professional friend of Steven Greenberg notes, “When it came to his collection, Steven had both an eye for attention to detail and an appreciation for the masterful craftsmanship and beauty that epitomized the Art Deco period. He lived and worked amongst these works of beauty as though each piece spoke to him of a time and artist still alive. Stevenʼs ability to create such a collection illustrates his profound knowledge and love of the period.” With the majority of his exemplary collection centered on the works of these three titans of the times, Greenberg sets the Christieʼsstage with a feast for the splendor of the sublime.
A COLLECTOR’S PASSION FOR BEAUTY
Paul Bonetʼs hand-tooled leather binding with George Barbierʼs lively illustrations
Talking sublime, Paul Bonetʼs hand-tooled leather binding with George Barbierʼs lively illustrations is artistic virtuosity. Influenced by Pierre Legrain, Bonetʼs work exhibits a three dimensionality that is highly innovative. This black Morocco gild leather binding, whose cover is encrusted with a “sunk-in lacquer panel in black, red, gold, silver, and eggshell, and whose lower cover is gilt and decorated with red morocco inlay and golden iridescent silk end leaves” exhibits the whimsy and fanciful decoration of the illustrations within. Encapsulating the beauty and materials of the Art deco period, Bonet was both highly imaginative and daring.
Unlike any Eileen Gray I have ever seen, this rare six panel 1923 dark brown colored lacquer screen is a wonderful example of the designerʼs art moderne style. Incised and painted wood panels display linear and arced shapes reminiscent of the De Stijl movement, Grayʼs work shows a sympathetic alliance to the international artists of her time, both in innovation and technique. The work is about as much as the spaces she defined within the lines as it is about the process and genius that these lines distinguished.
Jean Dupasʻ pair of wall panels, dated 1934/5, define Greenbergʼs taste for the period as well as epitomize the Art Deco period itself. The allegorical themes which it portrays in full splendor are as bold and magnificent as the work itself. Sea monsters, sirens, waves – a drama played out verre eglomise display a boldness of line and spirit that raise this work to magnificent artistic heights. Originally designed for the Grand Salon of the Normandie, the gold, silver and palladium leafing palette must have made a grand gesture matched only by the ship itself.
Steven Greenbergʼs masterpiece collection of French Art Deco artistry highlights the unfaltering eye of a collectorʼs passion for beauty and genius. Best Wishes! Gail.
Six panel 1923 dark brown colored lacquer screen
NOTE: Please notify us directly, if you believe that certain images on this post are alleged to infringe upon the copyrights of others, according to the Digital Millennium Copyright Act (DMCA). Thank you.
Kelly Gallery Study with Jourbet et Petit cerused oak
and marble table and Andre Frechet Cabinet
I’ve long been fascinated with art deco particularly because of its preoccupation with lavish ornamentation, its superb craftsmanship and fine materials. And I feel fortunate to live in a town that is home to some of the most trustworthy art deco dealers in the world, namely Delorenzo, Maison Gerard, Friedman & Vallois, to name a few. Exactly one week to this day, I attended the opening of a gallery that can easily take its place among the rank of the illustrious establishments named above.
For over thirty years Dr. Stephen Kelly, a successful ophthalmologist with a Manhattan practice has been quietly assembling a collection of rare and important Art Deco furniture, fine art and design and filling his ca. 1915 landmark limestone and brick townhouse with these treasures. Now in his 60s, Dr. Kelly has embarked on a second career as a gallery owner.
His treasured art deco gallery is nestled between the three floors of his dramatic six-story Upper East Side home. The gallery has now been opened since Wednesday, December 12th. The doctor’s entire collection is an impressive one to be sure. And art deco enthusiasts and collectors now have the opportunity to possess some of the most rarest pieces on the market – a variety of objects by such famed French Art Deco craftsmen as Jacques-Emile Ruhlmann, Jean-Michel Frank, Jean Dunand, Sue et Mare, A.A. Rateau, Eugene Printz, Edgar Brandt and Albert Cheuret, and others.
Salon Kelly Gallery with Ruhlman Lorcia Table Center and Left
Most of the fine art deco on view are between 1918 and 1939. Dr. Kelly puts particular emphasis on this period in France between the two world wars as one of the greatest and most productive times for fine and decorative arts. Pieces from this period lend a certain elegance and patina of age to a modern interior, without an 18th or 19th century antique look, and work well with all forms of 20th century fine art.
Kelly Gallery Assorted English Shagreen and Ivory Boxes ca 1925
KG Cardeillhac Sterling, Tortoise and Ivory Wine Caddies ca 1930
Particular gems from the gallery include a monumental Sèvres urn by Ruhlmann that was one of four from the ocean liner Ile de France – only one other survives and is in the Musée des Arts Décoratifs in Paris.
Also on view is a spectacular straw marquetry cabinet by Jean-Michel Frank; a Rateau giltwood daybed from the home of Jeanne Lanvin; a one-of-a-kind silver and champlevé enamel clock by Jean Goulden, which was exhibited in the Art Deco Exhibition at the Victoria & Albert Museum in London in 2003; a coquille d’oeuf lacquer vase by Dunand from the 1925 Art Deco Exhibition in Paris and exhibited in the 1926 Art Deco Exhibition at the Metropolitan Museum of Art in New York; and a unique amboyna wood table by Ruhlmann originally designed for the French actress Gabrielle Lorcia ca.1930, as well as modernist paintings and works on paper by Christian Bérard, Fernand Leger, Max Ernst and Sonia Delaunay juxtaposed against contemporary masters like Richard Diebenkorn, Jasper Johns and Jean Dubuffet.
Important Jean Luce Glass Vases
The gallery features a vast array of vintage silver or alligator photograph frames, crystal and silver perfume bottles and dressing sets, period ceramics and glass, period sterling silver serving pieces, bookends, lamps, classic American guilloche enamel sterling silver doubles cufflinks, 18kt gold doubles cufflinks, shagreen and ivory boxes, cubistic pewter dinanderie vases and other vintage Art Deco gift items that start at around $150, with median prices of $1000 to $10,000.
“I particularly like the rare and beautiful woods used in furniture during this period, frequently decorated with shagreen, ivory, parchment, tortoiseshell or lacquer,” says Dr. Kelly. “I am drawn to the handcrafted artistic quality of the wrought-iron work and lacquered dinanderie vases. It was also one of the greatest periods in fine art with the advent centered in Paris of cubism, surrealism and orphism.”
Dr. Stephen Kelly
The space features a spectacular interior that was originally designed by Geoffrey Bradfield and the late Jay Spectre. It includes a large two story solarium and more recently updated by Mr. Bradfield with a parchment-paneled drawing room, Venetian plaster foyer and macassar ebony-paneled library.
The Kelly Gallery is located at 154 East 71st Street (Between 3rd and Lexington Avenues), New York City. Hours of operation are: Tuesday through Saturday from 10:00 AM to 5:00 PM. Tel: 212.744.0004
My recent gallery tour at Sotheby’s reminded me of how wonderful Lalanne’s works truly is when I saw several of his most iconic pieces on display. The dynamic french duo have won the slow and steady race of producing what some called “the supreme art of living” with their beloved works of art. From monkey shaped fireplaces, rhino-shaped desks to a flock of sheep, Francois-Xavier and Claude Lalanne have created a whimsical world where we can engage with art and design – in a joyful and meaningful way.
François-Xavier Lalanne, “Mountons De Laine”, 1967, wool, patinated aluminum,
electro-formed copper and wood
Photo courtesy High End Weekly™
Gingko Bench, Claude Lalanne, 1999. Aluminum,
From Sotheby’s December 15, 2012 Sale
Photo courtesy High End Weekly™
Claude Lalanne, chairs and table fom Lila Acheson Wallace Garden, Dewitt Wallace Deocrative Arts Museum. Part of Sotheby’s December 15, 2012 Sale
Photo courtesy High End Weekly™ Cocodoll, 1964, François-Xavier Lalanne
François-Xavier and Claude Lalanne Exhibition at Paul Kasmin Gallery
François-Xavier and Claude Lalanne Exhibition at Paul Kasmin Gallery
François-Xavier and Claude Lalanne Exhibition at Paul Kasmin Gallery
Oiseau à Bascule, François Xavier Lalanne, 1974
Image via Wallpaper
Required Reading: Claude & Francois Xavier Lalanne from Rizzoli
NOTE: Please notify us directly, if you believe that certain images on this post are alleged to infringe upon the copyrights of others, according to the Digital Millennium Copyright Act (DMCA). Thank you.
If I’m not mistaken, you’re the kind of person who truly enjoy unparalleled design, and that’s why I believe you’ll be pleased to see the striking work of Gae Aulenti splashed all over this blog today. Many of you may already know that Gae (pronounced Guy) was the Italian architect who sadly passed away on November 1st. She was known for, and responsible for some of the most extraordinary designs of the 20th Century. One of which being the famous Musée d’Orsay in Paris.
Virtually every single piece of her iconic furniture and lighting designs are in high demand right now. This is no big surprise since most artists are even more famous after death (I am by no means suggesting that she wasn’t while she was alive). The beloved designer, who died a few weeks after her 84th birthday, was one of the first female Post War Italian architects and is best known for transforming old buildings into modern museums, including Paris’ Musée d’Orsay and the Asian Art Museum of San Francisco. Her undisputed legacy includes a trove of modern residential and commercial furniture designs that showcase her collaborations with such illustrious manufacturers as Poltronova, Knoll, Artemide and Casabella.
The renowned online furniture store, 1stDibs, is featuring a number of American, and European dealers, who carry Aulenti’s works including her signature Tavolo con Ruote (Table With Wheels), produced by Fontana Arte, one of which is in the New York Museum of Modern Art, aka MOMA).
With the design zeitgeist pointing to a renewed interest in the works of late 20th century designers and architects, Aulenti’s furniture, lighting and accessories are So Chic – to be sure. And once again, So Hip!
Gae Alenti for Vistosi: A set of four Vistosi suspension lightsItaly, 1950s, blown Murrina technique, circa: 1960-70 Italy, 1stDibs.com
Gae Aulenti for Kartell: Pair of 4794 Lounge Chairs made of rigid expanded polyurethane foam, Italy. Circa 1972, Converso
Gae Aulenti: “Means” armchair for Poltronova Italy, circa 1967. Metal frame, fabric covering featuring a pattern of orange and brown circles specially designed for this model. Compasso
Pictured: A stunning wing chair designed by Frits Henningsen, Denmark, circa 1940s, Modernity
The Park Avenue Armory reopens its doors to another antique fair this past Thursday, November 8th. The show will end on Monday, November 12th. Salon Art + Design was created by veteran show producer Sanford Smith. It is the first American fair to collaborate with the Syndicat National des Antiquaires, Europe’s most prestigious association of dealers. Most of the dealers were in attendance at the renowned Biennael des Antiquaires in Paris, this past September. Altogether the mix of genres, periods and styles reflected the eclecticism of today’s collector.
While this show highlighted 20th century and contemporary art and design, historic design were represented by the oldest decorative arts gallery in Paris, an Old Master dealer with multiple European locations, and a selection of dealers in ethnographic and Asian material. Collectors in attendance welcomed, once again, the opportunity to pair a Brueghel with a Jean Michel Frank table or a tribal mask with a Le Corbusier painting. The range and caliber of material at the Salon will attract discerning collectors, designers, and art enthusiasts around the world.
The venerable Tribal art dealer from Paris, Bernard Dulon
Top left: A Teke People Mask, congo, before 1920
Luba: Shankadi people, D.R. of Congo, 19th Century – wood, Galerie Bernard Dulon
Clean lines, overwhelming elegance: Top left – a Jean-Michel Frank’s wooden X lamp covered with tobacco-colored leather, L’arc en Seine
Galerie Valois
Victor Vasarely, Naissance-Pas, 1958, Painting on panel
Yayoi Kusama “Pollen” chair, circa 1984, Vivian Horan Fine Art
Left: A rare and unique Gaston Suisse, Wooden dark gray and black lacquer furniture (c. 1939) opening with three doors and eggshell on the handles, Galerie Felix Marcihac
Carpenters Workshop Gallery
An extremely rare large drawing of Le Corbusier
Galerie Downtown
Two door cabinet of welded aluminum, black enameled steel from Paul Evans, Bernd Goeckler Antiques
Wendell Castle
A masterful sculpture by Wendell Castle from “A New Environment”, Barry Friedman
The insightful and playful art dealer Jason Jacques
Horror Vacui from Morten Lobner Espersen, Jason Jacques Gallery
A very whimsical Jean-Marie Fiori bull-dog, lacquered bronze, and signed from Galerie Pierre Dumonteil
A series of stained pine Zig Zag chairs from Gerrit Rietveld, circa 1950s – early 1960s
A single Otto Wagner, post chair from Modernity
A favorite pair of Andre Sormay armchairs, circa 1925, Galerie Alain Marcepoil
.jpg)
