Design,  Design Icons,  Mid 20th Century Furniture,  Modernism

Industrial Clocks by George Nelson

He was widely known as one of the founding fathers of American modernism, who was also admired as the creator of beautiful and practical things. As an interior designer, I appreciate the aesthetics of George Nelson’s designs, and make use of them whenever the project calls for it. Yes, I’m much enthused with his industrial clock designs, but do not want to over look his architectural contribution; his iconic furniture designs, like the 1956 kangaroo chair, his sling sofa and coffee table, and of course, his ever more popular steel legged chairs. 
A room with a view: The George Nelson retro modern chairs (circa 1956)
are a perfect compliments to his industrial clocks. Photo via Archzine

The settees, the bedroom pieces he designed while working with the Herman Miller company in the 1940s will forever remain in the archives as a notification of what great design really signifies. George Nelson was an amazing industrial designer with a vision that left an imprint and is still carried out by today’s top 21st Century Product Designers.

Futuristic!
George Nelson’s Clocknik Table Clock
Message in a bottle
George Nelson Design for Herman Miller Clock Company, circa 1950

Round and Around We Go
Top: Re-issued by Vitra, The Wheel, circa the 1950s, or 1960s. Right: Ball Clock, circa 1964
Bottom: Tripod Clock, circa 1947. Right: An extremely rare Vintage George Nelson Clock
Spoonfed
George Nelson Spoon Pendulum Clock

Forward to a new Modernism

The Essensials
Top:  George Nelson: Architect / Writer / Designer / Teacher/ Full color, extensively illustrated, this book from the Vitra Design Museum is a fitting tribute to this seminal figure. With eight essays by German and American design historians, the publication deals with all of the areas of his work, many of which are presented here for the first time. Bottom: Building a New Europe: Portraits of Modern Architects (Yale School of Architecture) covers a series of articles from the 1930s, as Nelson eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences.
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